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Mask Sculptures | Episode 412
This is something where we worked backwards. We were looking for Claire to have some kind of artistic breakthrough, and Suzuki brought in this work by David Meanix. Then we took the process by which David makes the collage portraits and worked it into the storyline. So the inspiration for making the portraits came in a shared moment between Claire and Russell, which sowed the seeds of conflict for later on.
Alan Poul- Executive Producer
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When I showed everyone the artwork, everybody felt something for it, it just had that Six Feet Under Feel to it. It was macabre, you know, haunting. They feel almost like dead people.
Suzuki Ingerslev- Set Designer
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When I look at my photo work, I think it reflects how we're always managing all these different aspects of our personalities and trying to sort of balance the power of all of our different selves and outlooks. And how we're constantly transforming. I like the sculptures to look like they're morphing, almost. Everything swimming around, as if you're on a cellular level.
David Meanix- Artist
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